Condemned and yet feared by emperors, almost certain to be slaughtered and yet adored by the masses, the gladiator was the superstar of his day. This. The Gladiator for Kids. likes. Wir versuchen Kindern zu helfen die nicht soviel Glück hatten wie wir. "The Gladiator for" Kids ist aus einer. Renamed Spaniard and forced to become a gladiator Maximus must battle to the death with other men for the amusement of paying audiences. His battle skills.
The Gladiator Rezensionen und Bewertungen
Der römische Feldherr Maximus soll die Nachfolge des sterbenden Kaisers Marcus Aurelius antreten. Doch dessen Sohn Commodus will dies verhindern. Er tötet seinen Vater und ordnet die Exekution von Maximus und seiner Familie an. Doch Maximus. Gladiator ist ein mit fünf Oscars prämierter Monumentalfilm aus dem Jahr Er entstand unter der Regie von Ridley Scott und spielte weltweit ca. Gladiator. 2 Std. 35 Min. Er sollte dem Kaiser auf den Thron folgen, doch stattdessen wird der römische General vom machthungrigen Sohn des. The Gladiator: The Secret History of Rome's Warrior Slaves | Baker, Alan | ISBN: | Kostenloser Versand für alle Bücher mit Versand und Verkauf. redroxx.eu - Kaufen Sie The Gladiator günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. Dort wird er von Proximo (Oliver Reed) gekauft, der die Arenen Roms mit Gladiatoren versorgt. Als Gladiator kommt Maximus in die Hauptstadt, die er als Feldherr. Renamed Spaniard and forced to become a gladiator Maximus must battle to the death with other men for the amusement of paying audiences. His battle skills.
The Gladiator for Kids. likes. Wir versuchen Kindern zu helfen die nicht soviel Glück hatten wie wir. "The Gladiator for" Kids ist aus einer. Der römische Feldherr Maximus soll die Nachfolge des sterbenden Kaisers Marcus Aurelius antreten. Doch dessen Sohn Commodus will dies verhindern. Er tötet seinen Vater und ordnet die Exekution von Maximus und seiner Familie an. Doch Maximus. Dort wird er von Proximo (Oliver Reed) gekauft, der die Arenen Roms mit Gladiatoren versorgt. Als Gladiator kommt Maximus in die Hauptstadt, die er als Feldherr. Thalia: Infos zu Autor, Inhalt und Bewertungen ❤ Jetzt»Gladiator«nach Hause oder Ihre Filiale vor Ort bestellen! The Gladiator for Kids. likes. Wir versuchen Kindern zu helfen die nicht soviel Glück hatten wie wir. "The Gladiator for" Kids ist aus einer. Condemned and yet feared by emperors, almost certain to be slaughtered and yet adored by the masses, the gladiator was the superstar of his day. This. Marcus Aurelius. For instance in an early version of the script, gladiators would have been carrying out product endorsements in the arena; while this would have been historically accurate, it was not filmed for fear that audiences would think it anachronistic. It proved immensely popular. Retrieved February 15, Caesar's munus of 46 BC included at least one equestrian, son of a Praetor, and two volunteers of possible senatorial rank. New York, Wait Till Dawn - Warte Bis Es Dunkel Wird York: Penguin. Earlier periods Susanna Thompson only occasional, perhaps exceptional examples. Fire arrows and canisters fired from catapults were not used at any point in ancient history. Futrell is citing Juvenal's Satire6 [Oxford Fragment 7.
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Maximus Joaquin Phoenix Commodus Connie Nielsen Lucilla Oliver Reed Proximo Richard Harris Marcus Aurelius Derek Jacobi Gracchus Djimon Hounsou Juba David Schofield Falco John Shrapnel Gaius Tomas Arana Quintus Ralf Moeller Hagen Spencer Treat Clark Lucius David Hemmings Cassius Tommy Flanagan Cicero Sven-Ole Thorsen Taglines: Summer A.
Edit Did You Know? Trivia Sven-Ole Thorsen not only played Tigris the Gaul, but doubled as one of the spectators during that same battle. Goofs In the extended edition blu-ray release, as the two soldiers who are being sacrificed are being led to their death, there is a long shot showing a sandstone building.
Three crew members wearing modern day clothes and holding a boom mic can be seen trying to hide around a corner of the building.
Quotes [ after the final duel ] Maximus : Quintus! Release my men. Senator Gracchus is to be reinstated.
There was a dream that was Rome. It shall be realized. These are the wishes of Marcus Aurelius. Was this review helpful to you?
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Q: What is Maximus's war ritual, i. Language: English. Runtime: min min Extended Edition. Color: Color. Reappraisal of pictorial evidence supports a Campanian origin, or at least a borrowing, for the games and gladiators.
The Paestum frescoes may represent the continuation of a much older tradition, acquired or inherited from Greek colonists of the 8th century BC.
This is described as a " munus " plural: munera , a commemorative duty owed the manes of a dead ancestor by his descendants.
The war in Samnium, immediately afterwards, was attended with equal danger and an equally glorious conclusion. The enemy, besides their other warlike preparation, had made their battle-line to glitter with new and splendid arms.
There were two corps: the shields of the one were inlaid with gold, of the other with silver The Romans had already heard of these splendid accoutrements, but their generals had taught them that a soldier should be rough to look on, not adorned with gold and silver but putting his trust in iron and in courage The Dictator, as decreed by the senate, celebrated a triumph, in which by far the finest show was afforded by the captured armour.
So the Romans made use of the splendid armour of their enemies to do honour to their gods; while the Campanians, in consequence of their pride and in hatred of the Samnites, equipped after this fashion the gladiators who furnished them entertainment at their feasts, and bestowed on them the name Samnites.
Livy's account skirts the funereal, sacrificial function of early Roman gladiator combats and reflects the later theatrical ethos of the Roman gladiator show: splendidly, exotically armed and armoured barbarians , treacherous and degenerate, are dominated by Roman iron and native courage.
Their Campanian allies stage a dinner entertainment using gladiators who may not be Samnites, but play the Samnite role.
Other groups and tribes would join the cast list as Roman territories expanded. Most gladiators were armed and armoured in the manner of the enemies of Rome.
In BC, Marcus Aemilius Lepidus , late consul and augur , was honoured by his sons with three days of gladiatora munera in the Forum Romanum , using twenty-two pairs of gladiators.
High status non-Romans, and possibly Romans too, volunteered as his gladiators. The enthusiastic adoption of gladiatoria munera by Rome's Iberian allies shows how easily, and how early, the culture of the gladiator munus permeated places far from Rome itself.
By BC, "small" Roman munera private or public , provided by an editor of relatively low importance, may have been so commonplace and unremarkable they were not considered worth recording: .
The climax of the show which was big for the time was that in three days seventy four gladiators fought. In BC, the ruling consuls offered Rome its first taste of state-sponsored " barbarian combat" demonstrated by gladiators from Capua, as part of a training program for the military.
It proved immensely popular. Where traditional ludi had been dedicated to a deity, such as Jupiter , the munera could be dedicated to an aristocratic sponsor's divine or heroic ancestor.
Gladiatorial games offered their sponsors extravagantly expensive but effective opportunities for self-promotion, and gave their clients and potential voters exciting entertainment at little or no cost to themselves.
A politically ambitious privatus private citizen might postpone his deceased father's munus to the election season, when a generous show might drum up votes; those in power and those seeking it needed the support of the plebeians and their tribunes , whose votes might be won with the mere promise of an exceptionally good show.
In the closing years of the politically and socially unstable Late Republic, any aristocratic owner of gladiators had political muscle at his disposal.
Despite an already enormous personal debt, he used gladiator pairs in silvered armour. Gladiatorial games, usually linked with beast shows, spread throughout the republic and beyond.
Legislation of AD by Marcus Aurelius did little to stop it, and was completely ignored by his son, Commodus.
The decline of the munus was a far from straightforward process. Still, emperors continued to subsidize the games as a matter of undiminished public interest.
Ten years later, he forbade criminals being forced to fight to the death as gladiators:. Bloody spectacles do not please us in civil ease and domestic quiet.
For that reason we forbid those people to be gladiators who by reason of some criminal act were accustomed to deserve this condition and sentence.
You shall rather sentence them to serve in the mines so that they may acknowledge the penalties of their crimes with blood .
This has been interpreted as a ban on gladiatorial combat. Yet, in the last year of his life, Constantine wrote a letter to the citizens of Hispellum, granting its people the right to celebrate his rule with gladiatorial games.
In , Valentinian I r. In , Theodosius I r. Honorius r. According to Theodoret , the ban was in consequence of Saint Telemachus ' martyrdom by spectators at a munus.
In the Byzantine Empire, theatrical shows and chariot races continued to attract the crowds, and drew a generous imperial subsidy.
It is not known how many gladiatoria munera were given throughout the Roman period. Many, if not most, involved venationes , and in the later empire some may have been only that.
In BC, at least one munus was held during April's Megalesia. In the early imperial era, munera in Pompeii and neighbouring towns were dispersed from March through November.
They included a provincial magnate's five-day munus of thirty pairs, plus beast hunts. Of the days reserved for spectacles of various kinds, were for theatrical shows, 64 for chariot races and just 10 in December for gladiator games and venationes.
A century before this, the emperor Alexander Severus r. As Wiedemann points out, December was also the month for the Saturnalia, Saturn's festival, in which death was linked to renewal, and the lowest were honoured as the highest.
The earliest munera took place at or near the tomb of the deceased and these were organised by their munerator who made the offering.
Later games were held by an editor , either identical with the munerator or an official employed by him. As time passed, these titles and meanings may have merged.
From the principate onwards, private citizens could hold munera and own gladiators only with imperial permission, and the role of editor was increasingly tied to state officialdom.
Bigger games were put on by senior magistrates, who could better afford them. The largest and most lavish of all were paid for by the emperor himself.
The earliest types of gladiator were named after Rome's enemies of that time: the Samnite , Thracian and Gaul. The Samnite, heavily armed, elegantly helmed and probably the most popular type, [ citation needed ] was renamed secutor and the Gaul renamed murmillo , once these former enemies had been conquered then absorbed into Rome's Empire.
In the mid-republican munus , each type seems to have fought against a similar or identical type. In the later Republic and early Empire, various "fantasy" types were introduced, and were set against dissimilar but complementary types.
For example, the bareheaded, nimble retiarius "net-man" , armoured only at the left arm and shoulder, pitted his net, trident and dagger against the more heavily armoured, helmeted Secutor.
Passing literary references to others has allowed their tentative reconstruction. Other novelties introduced around this time included gladiators who fought from chariots or carts , or from horseback.
The trade in gladiators was empire-wide, and subjected to official supervision. Rome's military success produced a supply of soldier-prisoners who were redistributed for use in State mines or amphitheatres and for sale on the open market.
In Rome's military ethos, enemy soldiers who had surrendered or allowed their own capture and enslavement had been granted an unmerited gift of life.
Their training as gladiators would give them opportunity to redeem their honour in the munus. For the poor, and for non-citizens, enrollment in a gladiator school offered a trade, regular food, housing of sorts and a fighting chance of fame and fortune.
Mark Antony chose a troupe of gladiators to be his personal bodyguard. Tiberius offered several retired gladiators , sesterces each to return to the arena.
From the 60s AD female gladiators appear as rare and "exotic markers of exceptionally lavish spectacle". Cassius Dio takes pains to point out that when the much admired emperor Titus used female gladiators, they were of acceptably low class.
Some regarded female gladiators of any type or class as a symptom of corrupted Roman appetites, morals and womanhood. Before he became emperor, Septimius Severus may have attended the Antiochene Olympic Games, which had been revived by the emperor Commodus and included traditional Greek female athletics.
His attempt to give Rome a similarly dignified display of female athletics was met by the crowd with ribald chants and cat-calls.
Caligula , Titus , Hadrian , Lucius Verus , Caracalla , Geta and Didius Julianus were all said to have performed in the arena, either in public or private, but risks to themselves were minimal.
Commodus was a fanatical participant at the ludi , and compelled Rome's elite to attend his performances as gladiator, bestiarius or venator.
Most of his performances as a gladiator were bloodless affairs, fought with wooden swords; he invariably won.
He was said to have restyled Nero's colossal statue in his own image as " Hercules Reborn", dedicated to himself as "Champion of secutores ; only left-handed fighter to conquer twelve times one thousand men.
On another occasion, he decapitated a running ostrich with a specially designed dart, carried the bloodied head and his sword over to the Senatorial seats and gesticulated as though they were next.
Gladiator games were advertised well beforehand, on billboards that gave the reason for the game, its editor, venue, date and the number of paired gladiators ordinarii to be used.
Other highlighted features could include details of venationes , executions, music and any luxuries to be provided for the spectators, such as an awning against the sun, water sprinklers, food, drink, sweets and occasionally "door prizes".
For enthusiasts and gamblers, a more detailed program libellus was distributed on the day of the munus , showing the names, types and match records of gladiator pairs, and their order of appearance.
The night before the munus , the gladiators were given a banquet and opportunity to order their personal and private affairs; Futrell notes its similarity to a ritualistic or sacramental "last meal".
The event may also have been used to drum up more publicity for the imminent game. Official munera of the early Imperial era seem to have followed a standard form munus legitimum.
They were followed by a small band of trumpeters tubicines playing a fanfare. Images of the gods were carried in to "witness" the proceedings, followed by a scribe to record the outcome, and a man carrying the palm branch used to honour victors.
The magistrate editor entered among a retinue who carried the arms and armour to be used; the gladiators presumably came in last.
The entertainments often began with venationes beast hunts and bestiarii beast fighters. A crude Pompeian graffito suggests a burlesque of musicians, dressed as animals named Ursus tibicen flute-playing bear and Pullus cornicen horn-blowing chicken , perhaps as accompaniment to clowning by paegniarii during a "mock" contest of the ludi meridiani.
Increasingly the munus was the editor' s gift to spectators who had come to expect the best as their due. Lightly armed and armoured fighters, such as the retiarius , would tire less rapidly than their heavily armed opponents; most bouts would have lasted 10 to 15 minutes, or 20 minutes at most.
Spectators preferred to watch highly skilled, well matched ordinarii with complementary fighting styles; these were the most costly to train and to hire.
A general melee of several, lower-skilled gladiators was far less costly, but also less popular. Even among the ordinarii , match winners might have to fight a new, well-rested opponent, either a tertiarius "third choice gladiator" by prearrangement; or a "substitute" gladiator suppositicius who fought at the whim of the editor as an unadvertised, unexpected "extra".
Most were probably of poor quality,  but the emperor Caracalla chose to test a notably skilled and successful fighter named Bato against first one supposicitius , whom he beat, and then another, who killed him.
Combats between experienced, well trained gladiators demonstrated a considerable degree of stagecraft. Among the cognoscenti, bravado and skill in combat were esteemed over mere hacking and bloodshed; some gladiators made their careers and reputation from bloodless victories.
Suetonius describes an exceptional munus by Nero, in which no-one was killed, "not even noxii enemies of the state.
Trained gladiators were expected to observe professional rules of combat. Most matches employed a senior referee summa rudis and an assistant, shown in mosaics with long staffs rudes to caution or separate opponents at some crucial point in the match.
Referees were usually retired gladiators whose decisions, judgement and discretion were, for the most part, respected;  they could stop bouts entirely, or pause them to allow the combatants rest, refreshment and a rub-down.
Ludi and munera were accompanied by music, played as interludes, or building to a "frenzied crescendo" during combats, perhaps to heighten the suspense during a gladiator's appeal; blows may have been accompanied by trumpet-blasts.
Their instruments are a long straight trumpet tubicen , a large curved horn Cornu and a water organ hydraulis. A match was won by the gladiator who overcame his opponent, or killed him outright.
Victors received the palm branch and an award from the editor. An outstanding fighter might receive a laurel crown and money from an appreciative crowd but for anyone originally condemned ad ludum the greatest reward was manumission emancipation , symbolised by the gift of a wooden training sword or staff rudis from the editor.
Martial describes a match between Priscus and Verus , who fought so evenly and bravely for so long that when both acknowledged defeat at the same instant, Titus awarded victory and a rudis to each.
His gravestone in Sicily includes his record: "Flamma, secutor , lived 30 years, fought 34 times, won 21 times, fought to a draw 9 times, defeated 4 times, a Syrian by nationality.
Delicatus made this for his deserving comrade-in-arms. A gladiator could acknowledge defeat by raising a finger ad digitum , in appeal to the referee to stop the combat and refer to the editor , whose decision would usually rest on the crowd's response.
During the Imperial era, matches advertised as sine missione without remission from the sentence of death suggest that missio the sparing of a defeated gladiator's life had become common practice.
The contract between editor and his lanista could include compensation for unexpected deaths;  this could be "some fifty times higher than the lease price" of the gladiator.
Under Augustus' rule, the demand for gladiators began to exceed supply, and matches sine missione were officially banned; an economical, pragmatic development that happened to match popular notions of "natural justice".
When Caligula and Claudius refused to spare defeated but popular fighters, their own popularity suffered.
In general, gladiators who fought well were likely to survive. Whether victorious or defeated, a gladiator was bound by oath to accept or implement his editor's decision, "the victor being nothing but the instrument of his [editor's] will.
Once a band of five retiarii in tunics, matched against the same number of secutores , yielded without a struggle; but when their death was ordered, one of them caught up his trident and slew all the victors.
Caligula bewailed this in a public proclamation as a most cruel murder. A gladiator who was refused missio was despatched by his opponent.
To die well, a gladiator should never ask for mercy, nor cry out. For death, when it stands near us, gives even to inexperienced men the courage not to seek to avoid the inevitable.
So the gladiator, no matter how faint-hearted he has been throughout the fight, offers his throat to his opponent and directs the wavering blade to the vital spot.
Epistles , Some mosaics show defeated gladiators kneeling in preparation for the moment of death. Seneca's "vital spot" seems to have meant the neck.
The body of a gladiator who had died well was placed on a couch of Libitina and removed with dignity to the arena morgue, where the corpse was stripped of armour, and probably had its throat cut to prove that dead was dead.
The Christian author Tertullian , commenting on ludi meridiani in Roman Carthage during the peak era of the games, describes a more humiliating method of removal.
One arena official, dressed as the "brother of Jove", Dis Pater god of the underworld strikes the corpse with a mallet. Another, dressed as Mercury , tests for life-signs with a heated "wand"; once confirmed as dead, the body is dragged from the arena.
Whether these victims were gladiators or noxii is unknown. Modern pathological examination confirms the probably fatal use of a mallet on some, but not all the gladiator skulls found in a gladiators' cemetery.
Whether the corpse of such a gladiator could be redeemed from further ignominy by friends or familia is not known.
The bodies of noxii , and possibly some damnati , were thrown into rivers or dumped unburied;  Denial of funeral rites and memorial condemned the shade manes of the deceased to restless wandering upon the earth as a dreadful larva or lemur.
The taint of infamia was perpetual. Gladiators could subscribe to a union collegia , which ensured their proper burial, and sometimes a pension or compensation for wives and children.
Otherwise, the gladiator's familia , which included his lanista , comrades and blood-kin, might fund his funeral and memorial costs, and use the memorial to assert their moral reputation as responsible, respectful colleagues or family members.
Some include the gladiator's type, in words or direct representation: for example, the memorial of a retiarius at Verona included an engraved trident and sword.
According to Cassius Dio, the emperor Caracalla gave the gladiator Bato a magnificent memorial and State funeral;  more typical are the simple gladiator tombs of the Eastern Roman Empire, whose brief inscriptions include the following:.
Titus Flavius Satyrus set up this monument in his memory from his own money. Paitraeites with his cell-mates set this up in memory". Very little evidence survives of the religious beliefs of gladiators as a class, or their expectations of an afterlife.
Modern scholarship offers little support for the once-prevalent notion that gladiators, venatores and bestiarii were personally or professionally dedicated to the cult of the Graeco-Roman goddess Nemesis.
Rather, she seems to have represented a kind of "Imperial Fortuna " who dispensed Imperial retribution on the one hand, and Imperially subsidised gifts on the other — including the munera.
One gladiator's tomb dedication clearly states that her decisions are not to be trusted. Having no personal responsibility for his own defeat and death, the losing gladiator remains the better man, worth avenging.
Doom killed me, not the liar Pinnas. No longer let him boast. I had a fellow gladiator, Polyneikes, who killed Pinnas and avenged me.
Claudius Thallus set up this memorial from what I left behind as a legacy. A gladiator might expect to fight in two or three munera annually, and an unknown number would have died in their first match.
Few gladiators survived more than 10 contests, though one survived an extraordinary bouts;  and another died at 90 years of age, presumably long after retirement.
The earliest named gladiator school singular: ludus ; plural: ludi is that of Aurelius Scaurus at Capua. He was lanista of the gladiators employed by the state circa BC to instruct the legions and simultaneously entertain the public.
Socially, they were infames , on a footing with pimps and butchers and despised as price gougers. The Spartacus revolt had originated in a gladiator school privately owned by Lentulus Batiatus , and had been suppressed only after a protracted series of costly, sometimes disastrous campaigns by regular Roman troops.
In the late Republican era, a fear of similar uprisings, the usefulness of gladiator schools in creating private armies, and the exploitation of munera for political gain led to increased restrictions on gladiator school ownership, siting and organisation.
By Domitian 's time, many had been more or less absorbed by the State, including those at Pergamum , Alexandria , Praeneste and Capua.
Roman myrmillones gladiator helmet with relief depicting scenes from the Trojan War from Herculaneum. In the Imperial era, volunteers required a magistrate's permission to join a school as auctorati.
Their contract auctoramentum stipulated how often they were to perform, their fighting style and earnings. A condemned bankrupt or debtor accepted as novice novicius could negotiate with his lanista or editor for the partial or complete payment of his debt.
Faced with runaway re-enlistment fees for skilled auctorati , Marcus Aurelius set their upper limit at 12, sesterces.
All prospective gladiators, whether volunteer or condemned, were bound to service by a sacred oath sacramentum. Fighting styles were probably learned through constant rehearsal as choreographed "numbers".
An elegant, economical style was preferred. Training included preparation for a stoical, unflinching death. Successful training required intense commitment.
Soldiers were routinely marked on the hand. Gladiators were typically accommodated in cells, arranged in barrack formation around a central practice arena.
Juvenal describes the segregation of gladiators according to type and status, suggestive of rigid hierarchies within the schools: "even the lowest scum of the arena observe this rule; even in prison they're separate".
Retiarii were kept away from damnati , and "fag targeteers" from "armoured heavies". As most ordinarii at games were from the same school, this kept potential opponents separate and safe from each other until the lawful munus.
Its replacement could have housed about and included a very small cell, probably for lesser punishments and so low that standing was impossible.
Despite the harsh discipline, gladiators represented a substantial investment for their lanista and were otherwise well fed and cared for.
Their daily, high-energy, vegetarian diet consisted of barley , boiled beans , oatmeal , ash and dried fruit. Hij krijgt hierdoor de bijnaam Maximus de Genadige en krijgt opnieuw waardering van het volk.
Commodus stapt de arena in en maakt Maximus belachelijk door zijn gedode vrouw en zoon te bespotten. Maximus keert hem echter de rug toe, met nog meer gejuich van het volk en een nog groter gezichtsverlies voor Commodus als gevolg.
In de wandelgangen van het Colosseum komt Maximus zijn oude bediende tegen, van wie hij hoort dat zijn oude troepen nog altijd loyaal aan hem zijn.
Na een eerste weigering van Maximus weet Lucilla , de zus van Commodus en een oude vriendin van Maximus, alsnog een stiekeme ontmoeting met Maximus en senator Gracchus, die ook aan hun kant staat, te regelen.
Hij krijgt hun hulp om uit Rome te ontsnappen om zich bij zijn oude troepen aan te sluiten, waarmee hij Commodus wil afzetten en vermoorden, maar Commodus komt achter deze plannen en laat iedereen vermoorden.
Maximus wordt gevangen genomen, net als senator Gracchus en zijn medegladiatoren. Tegen Lucilla dreigt Commodus haar zoon te laten ombrengen als ze hem niet gehoorzaamt.
Om definitief met Maximus af te rekenen en het volk voor zich terug te winnen, organiseert Commodus een laatste gevecht in de arena: tussen Maximus en hemzelf.
Voor aanvang van de wedstrijd verwondt Commodus Maximus echter met een dolksteek in zijn zij, waardoor Maximus veel bloed verliest en Commodus een voorsprong heeft.
Maximus weet Commodus echter toch te verslaan en doodt hem op het strijdveld. Maximus vraagt vervolgens om zijn mannen vrij te laten, senator Gracchus terug te installeren en de hervormingen door te voeren die Marcus Aurelius gewild had.
Daarna begint echter de doodstrijd van Maximus zelf en heeft hij een visioen over zijn hereniging met zijn vrouw en zoon in het Elysium. Hij valt neer op de arenagrond, waarna Lucilla over hem heenbuigt en afscheid neemt.
Als Maximus sterft, laat Lucilla hem eervol wegdragen, terwijl het lichaam van Commodus oneervol in de arena blijft liggen en de menigte het Colosseum verlaat.
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